The operaist inversion must be understood in light of the irreducible partiality of the viewpoint: first the class, then capital. Capital is not the subject of History, it is not that which does and undoes, that which determines development and the conditions for its own overcoming. Rather, history is non-teleological, and at its center is class struggle, its power of refusal and its autonomy.
However much upheaval the global COVID-19 pandemic has generated, a great deal more is coming. The economic disaster is already the object of frantic analysis, much of which tells us we can expect a bottom that matches or exceeds the Great Depression of the 1930s, at least as measured by conventional economic indicators like GDP, unemployment, and bankruptcies.
The economic effects of the coronavirus pandemic have provoked great uncertainty among state managers regarding the future of capitalism. But the perspective of capitalist reproduction is not the only one available to us.
In the surreal, suspended atmosphere characterizing our current predicament, it would be easy to focus our attention only on the catastrophe unfolding in front of our eyes. But this strange, anxious time we are experiencing is also filled with struggles, acts of solidarity, and processes of class composition and self-organization.